WORKS |
- Introduction
- Plays
- Films
- TV and Radio
- Principal Unperformed Works
- Publications
- Rights
The Works of Terence Rattigan
Listed under these tabbed pages are all the known produced works by Terence Rattigan together with the principal unproduced work.
Links are being developed from individual works to more detailed descriptions with a short synopsis, relevant photographs and images that provide greater detail about each particular work.
Notable revivals will be added when known.
This list has been created with the help of the chronological entries provided by Michael Darlow in his biography:
'Terence Rattigan, The Man and His Work by Michael Darlow, published by Quartet Books ISBN 0-7043-7114-6 • Buy Online? •
Terence Rattigan had, in the words of Harold Hobson, ‘the greatest natural talent for the stage of any man this century’. He was the most financially successful dramatist of his generation and his plays and screenplays continue to be performed on the West End stage and in the cinema.
In his lifetime he was a well known public figure, yet despite well-publicised friendships with people such as Noel Coward he hid his homosexuality for most of his life. In this extensively revised biography Michael Darlow has, for the first time, been able to describe this important aspect of his life and fully consider it in relation to his work.
Achieving great heights of fame during the 1930s, as well as several hugely successful West End theatre runs, Rattigan co-wrote the film Brighton Rock with Graham Greene and was twice nominated for Academy Awards for Best Screenplay’, becoming the highest paid screen writer of his generation. However, after the revolution in British theatre sparked by John Osborne’s ‘Look Back in Anger’ in 1956, Rattigan’s work was deemed ‘unfashionable’ and he left Britain, bitter, in the 1960’s.
Revised to celebrate the centenary of Rattigan’s birth, this portrait of a complex and fascinating man unfolds to provide a compelling case for him to be accepted as one of the great dramatists of the last century.
Michael Darlow began his career as an actor on stage and in television, and has both acted in, and directed Rattigan works on stage. He has made a number of award winning dramas and documentaries and is a fellow of The Royal Television Society.
| Date |
Play title |
First production |
Theatre/Notes |
| 1933 |
First Episode (with Philip Heimann) |
11 September 1933 |
Q Theatre |
| 1935 |
A Tale of Two Cities (with John Gielgud) |
23 January 1950 |
St Brendan's College DS Clifton |
| 1935 |
Grey Farm (with Hector Bolitho) |
3 May 1940 |
Hudson Theatre New York |
| 1936 |
French Without Tears |
6 November 1936 |
Criterion Theatre, London |
| |
|
28 September 1937 |
Henry Miller Theatre, New York |
| 1939 |
After The Dance |
21 June 1939 |
St James's Theatre, London |
| 1938 |
Follow My Leader |
16 January 1940 |
Apollo Theatre, London |
| 1942 |
Flare Path |
13 August 1942 |
Apollo Theatre, London |
| |
|
23 December 1942 |
Henry Miller Theatre, New York |
| 1943 |
While The Sun Shines |
24 December 1943 |
Globe Theatre, London |
| |
|
19 September 1944 |
Lyceum Theatre, New York |
| 1944 |
Love In Idleness |
20 December 1944 |
Lyric Theatre, London |
| |
(aka: 'O Mistress Mine' and 'Less Than Kind') |
23 January 1946 |
Empire Theatre, New York |
| 1946 |
The Winslow Boy |
23 May 1946 |
Lyric Theatre, London Ellen Terry Best Play Award |
| |
|
29 October 1947 |
Empire Theatre, New York |
| 1948 |
Playbill:
The Browning Version
Harlequinade
|
8 September 1948 |
Phoenix Theatre, London (The Browning Version - Ellen Terry Best Play Award) |
| |
|
12 October 1949 |
Coronet Theatre, New York |
| 1949 |
Adventure Story |
17 March 1949 |
St James's Theatre, London |
| 1950 |
Who Is Sylvia? (aka: 'Green After April') |
24 October 1950 |
Criterion Theatre, London |
| 1952 |
The Deep Blue Sea |
6 March 1952 |
Duchess Theatre, London |
| |
|
5 November 1952 |
Morosco Theatre, New York |
| 1953 |
The Sleeping Prince |
5 November 1953 |
Phoenix Theatre, London |
| |
(aka: 'The Girl Who Came To Supper' - musical version) |
1 November 1956 |
Coronet theatre, New York |
| 1954 |
Separate Tables:
Table by the Window
Table Number Seven |
22 September 1954 |
St James's Theatre, London |
| |
|
25 October 1956 |
Music Box Theatre, New York |
| 1958 |
Variation On A theme |
8 May 1958 |
Globe Theatre, London |
| 1960 |
Ross |
12 May 1960 |
Theatre Royal, Haymarket, London |
| |
|
26 December 1961 |
Eugene O'Neill Theatre, New York |
| 1960 |
Joie De Vivre (aka: 'French Without Tears' - musical version) |
14 July 1960 |
Queen's Theatre, London |
| 1963 |
Man And Boy |
4 September 1963 |
Queen's Theatre, London |
| 1970 |
A Bequest To The Nation |
23 September 1970 |
Theatre Royal, Haymarket, London |
| 1973 |
In Praise of Love:
Before Dawn
After Lydia |
23 September 1973 |
Duchess Theatre, London |
| |
|
10 December 1974 |
Morosco Theatre, New York |
| 1976 |
Duologue (adapted from TV play) |
February 1976 |
King's Head Theatre, London |
| 1977 |
Cause Célèbre |
4 July 1977 |
Her Majesty's Theatre, London |
| Date |
Film titles |
Director |
Notes (including the name of studios offering current copies) |
| 1937 |
Gypsy
with Brock Williams) |
Roy William Neill |
With Roland Young, Chili Bouchier and Hiugh Williams - BFI (fragment only) |
| 1940 |
French Without Tears
(with Anatole de Grunwald and Ian Dalrymple) |
Anthony Asquith |
With Ray Milland, Ellen Drew, Janine Darcey and Roland Culver - Paramount |
| 1941 |
Quiet Wedding
(with Anatole de Grunwald and Esther McCracken) |
Anthony Asquith |
With Margaret Lockwood, Derek Farr, Marjorie Fielding and A.E. Matthews _ Paramount |
| 1942 |
The Day Will Dawn (US: The Avengers)
(with Anatole de Grunwald, Patrick Kirwan and Frank Owen) |
Harold French |
With Hugh Williams, Griffith Jones, Deborah Kerr and Ralph Richardson - DD Home Entertainment |
| 1942 |
Uncensored
(with Wolfgang Wilhelm and Rodney Ackland) |
Anthony Asquith |
With Eric Portman,Phyllis Calvert, Griffith Jones, Raymond Lovell and Peter Glenville - Gaumont |
| 1944 |
English Without Tears (US: Her Man Gilbey) |
Harold French |
With Michael Wilding, Penelope Dudley-Ward, Lilli Palmer, PeggyCummings and Margaret Rutherford - Rank |
| 1945 |
Journey Together (story) |
John Boulting |
With Richard Attenborough, Jack Watling, David Tomlinson and Stuart Latham - Simply Media |
| 1945 |
The Way To The Stars (US: Johnny in the Clouds) (with Anatole de Grunwald) |
Anthony Asquith |
With Michael Redgrave, John Mills, Rosamund John and Stanley Holloway - Network |
| 1947 |
Brighton Rock (with Graham Greene)
(aka: Young Scarface in US) |
John Boulting |
With Richard Attenborough< Carol Marsh, Herminone Baddeley and William Hartnell - Optimum Home Entertainment |
| 1947 |
While the Sun Shines
(with Anatole de Grunwald) |
Anthony Asquith |
With Barbara White, Ronald SAquire and Brenda Bru ce - Pathe |
| 1948 |
Bond Street (with Anatole de Grunwald and Rodney Ackland) |
Gordon Parry |
With Jean Kent, Roland Young, Kathleen harrison, Derek Farr and Hazel Court - Associated British |
| 1948 |
The Winslow Boy
(with Anatole de Grunwald) |
Anthony Asquith |
With Robert Donat, Cedric Hardwicke, Margaret Leighton and Basil Radford - Optimum Home Entertainment |
| 1951 |
The Browning Version |
Anthony Asquith |
With Michael Redgrave. Rattigan won the 1952 Cannes Film Festival Award for Best Screenplay |
| 1952 |
The Sound Barrier
(US: Breaking the Sound Barrier) |
David Lean |
With Ralph Richardson, Ann Todd, Nigel Patrick, and Dinah Sheridan - Optimum Home Entertainment |
| 1953 |
The Final Test |
Anthony Asquith |
With Jack Warner, Robert Morley, Adrianne Allen and George Relph - Odeon Entertainment |
| 1954 |
The Man Who Loved Redheads |
Harold French |
With Moira Shearer, John Justin, Roland Culver and Gladys Cooper - British Lion |
| 1955 |
The Deep Blue Sea |
Anatole Litvak |
With Vivien Leigh, Kenneth More, Eric Portman, Emlyn Williams and Moira Lister - 20th Century Fox |
| 1957 |
The Prince and the Showgirl |
Laurence Olivier |
With Laurence Olivier, Marilyn Monroe, Sybil Thorndike and Richard Wattis - Warner Home Video |
| 1958 |
Separate Tables (with John Gay) |
Delbert Mann |
With Deborah Kerr, Rita Hayworth, David Niven, Wendy Hiller and Burt Lancaster - MGM Entertainment |
| 1963 |
The VIPs |
Anthony Asquith |
With Elizabeth taylor, Richard Burton, Louis Jordan, Elsa Martinelli and Margaret Ruthefford - Warner Brothers |
| 1964 |
The Yellow Rolls-Royce |
Anthony Asquith |
With Ingrid Bergman, Rex Harrison, Shirley MacLaine, Jeanne Moreau and George C. Scott - Cornerstone Media |
| 1969 |
Goodbye, Mr Chips (screenplay adaptation) |
Herbert Ross |
With Peter O'Toole, Petula Clark, Michael Redgrave and Alison Leggatt - Warner Home Video |
| 1973 |
Bequest to the Nation (in the US The Nelson Affair) |
James Cellan-Jones |
With Glenda Jackson, Peter Finch, Michael Jayston and Anthony Quayle - Universal |
| 1994 |
The Browning Version |
Mike Figgis |
With Albert Finney, Great Scacchi and Matthew Modine - Paramount Home Entertainment |
| 1999 |
The Winslow Boy |
David Mamet |
With Nigel Hawthorne, Gemma Jones, Rebecca Pidgeon and Matthew Pidgeon - UCA |
| Date |
Television titles |
Broadcast |
Director |
| 1951 |
The Final Test |
BBC - 29 July 1951 |
Royston Morley |
| 1955 |
The Browning Version (starred Peter Cushing) |
1955 |
|
| 1958 |
The Winslow Boy |
13 March 1958 |
|
| 1961 |
Adventure Story - BBC Sunday-Night Theatre (with Sean Connery) |
BBC - 12 June 1961 |
|
| 1962 |
Heart to Heart |
BBC - 6 December 1962 |
Alvin Rakoff |
| 1964 |
Ninety Years (with Noël Coward as narrator) |
BBC - 29 November 1964 |
Michael Mills |
| 1966 |
Nelson - A Portrait in Miniature |
ATV - 21 March 1966 |
Stuart Burge |
| 1968 |
All on Her Own |
BBC2 - 25 September 1968 |
Hal Burton |
| 1970 |
Separate Tables (Play of the Month) |
15 March 1970 |
|
| 1971 |
Man and Boy |
Anglia - 6 June 1971 |
|
| 1972 |
High Summer (adapted from an earlier, unperformed stage play) |
Thames Television, 1972 |
Peter Duguid |
| 1973 |
Harlequinade |
Anglia - 29 April 1973 |
|
| 1976 |
French Without Tears (Play of the Month) |
BBC - 16 May 1976 |
|
| 1976 |
In Praise of Love |
Anglia - 14 March 1976 |
|
| 1977 |
The Winslow Boy (Ply of the Month) |
BBC - 16 January 1977 |
|
| 1983 |
Separate Tables (with Julie Christie and Alan Bates) |
1983 |
John Schlesinger |
| 1984 |
Separate Tables |
HTV - 2 January 1984 |
|
| 1985 |
The Browning Version |
BBC - 31 December 1985 |
Michael A. Simpson |
| 1987 |
Cause Célèbre (off-air recording) |
Anglia - 23 August 1987 |
|
| 1992 |
After The Dance (Performance) |
BBC - 5 December 1992 |
|
| 1994 |
The Deep Blue Sea (Performance - off-air recording) |
BBC - 12 November 1994 |
|
| Date |
Radio title |
Broadcast |
Producer |
| 1975 |
Cause Célèbre |
BBC Radio 4 - 27 October 1975 |
Norman Wright |
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| Date |
Titles |
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| Stage |
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| 1927 |
Integer Vitae (The Pure in Heart) |
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| 1935 |
Black Forest |
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| 1939 |
Two Dozen Roses |
(adapted from a play by Aldo Benetii) |
| 1939 |
Le Valet Maitre |
(adapted from a play by Paul armont and Leopold Marchant) |
| 1960 |
Like Father |
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| 1968 |
Pas de Deux |
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| Films |
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| 1946 |
Crime Wave |
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| 1947 |
World Première |
|
| 1949 |
O Mistress Mine |
(adapted from 'Love in Idleness') |
| 1969 |
Burke and Wills |
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| Television |
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| 1974 |
Nijinsky |
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Terence Rattigan's plays and film/TV scripts are published by Samuel French and Nick Hern Books.
More to follow. . .
If you are interested in
putting on a Professional Production of one of Terence
Rattigan's plays, please contact Alan Brodie Representation
Ltd at:
Alan Brodie Representation
Paddock Suite The Courtyard
55 Charterhouse Street
London EC1M 6HA
Tel: 020 7253 6226 • Fax: 020 7183 7999
email: info@alanbrodie.com • email • Web
Click here for further details and contact addresses for licensing and rights to perform or use Terence Rattigan's work.
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